Here is the song called Odin being performed live by the band Faun, featuring Einar Selvik/Wardruna and Martin Seeberg.
Since I’ve just made a video about Odin, I thought I’d share it.
It’s sung in German. The song lyrics include a lot of mythology about Odin, and also a particular verse from a text called the Hávamál (meaning “Sayings of the High One”), which is a collection of Norse poems from the Viking Age, in which Odin speaking in first person recounts his self-sacrifice on the world tree. The Hávamál is sung in Icelandic, which is the language that much of the surviving mythology about Odin is written in.
I know that I hung on a windy tree
nine long nights,
wounded with a spear, dedicated to Odin,
myself to myself,
on that tree of which no man knows
from where its roots run.
No bread did they give me nor a drink from a horn,
downwards I peered;
I took up the runes, screaming I took them,then I fell back from there.1
His sacrifice shares many similarities with the crucifixion and self-sacrifice of Jesus on a cross. Both Odin and Jesus hang for a time associated with the number nine, both are pierced with a spear, and both descend the underworld after their self-sacrifices.
The self-sacrifice of Odin (and Jesus) represents a stage on the path of the spiritual sun in which someone psychologically dies, sacrifices themselves inwardly, and then descends into the darkness of the underworld within their psyche, before spiritually resurrecting. In Odin’s case, he descended into the darkness of the underworld in order to obtain knowledge, which is one of the purposes descending into darkness serves. The number nine represents the nine regions of the underworld. The tree and cross represent the world tree, axis mundi, and the crossing of the sun across the equator at the spring equinox. The screaming in the excerpt above represents the agonizing pain it takes to obtain knowledge (which is symbolized by the runes), and falling back is what happens at this stage, when the pain is so great one ceases any wish to “be someone” in a profound way. How did these esoteric events get recorded in the Hávamál, and from what source, I wonder…?
This stage is tied to the time of spring equinox, when the days start to become longer than the nights, and therefore the light can be seen to overcome the forces of darkness. It’s why many deities in the ancient religion of the sun were said to die and resurrect at the spring equinox.
What I like about this song is the atmosphere and feeling it conveys about the event. Many songs on spiritual themes are very nice to listen to, but on the path of the spiritual sun, there are not only times of light, but also of darkness, just as there are in the year and the sun’s annual cycle. This song captures in some way the epic psychological struggle someone goes through, and the darkness of the underworld they need to face. I think this song helps in some way to understand this stage on the path of the spiritual sun, which both Odin and Jesus represented.
Thank you to Faun, Wardruna, Einar, Martin, and everyone involved in making this song. You have really conveyed something spiritually powerful and timeless, and breathed life into one of the great heroes of our age – Odin.
Odin in the Hávamál translated by Carolyne Larrington ↩